38-47: 100 Day Update

Newest works... #100daysofgoldnblack for #the100dayproject 

Unfortunately Instagram seems to be blocking my work from hashtags so you won't be seeing these if you are following any of the 100 day hashtags, or maybe any? Hopefully that will be rectified sooner than later. If you are interested in any of the 100 day series they are available on a 25 piece basis through my shop. 1-25 have been released already and 26-50 will be available on May 23rd to my collectors email list. Sign Up Here by 5/22 for early access to new artworks. 

Access for all Opens May 25th at 9 am PST.

30-37 of 100 days of gold and black

I was away on holiday visiting my best friend from High School in Austin Texas.... so Ive been a bit lax in updating. I thought it might be more exciting as well if you are following here to see all of the work in a collection instead of separate blog posts for each. Also a bit faster for moi. 

 

 

24/100- peach paper is so fine

Ahhhh I am loving these different shade of watercolor paper. I am using a handmade paper from Khadi, who are based in India. You can buy their papers online from different re-sellers or place a larger order with them through their site. Recently I saw that Case for Making out of San Francisco is making some collections of watercolor papers. 

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23/100- blue: an obsession

I mix almost all my paints, from the tube in a pan and on and on... I could tell you maybe what exactly this color was in the beginning? but its been mixed and managed so here is this blue piece.  And I am loving the contrast of the inky blacks with blue. Maybe I will move on soon? Also you will notice some deciduous trees here... its spring and all the trees here are budding out, well honestly they started about a month or more ago. Oh California... its Spring is really ever present.

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22/100- 11x14 ohhhhh big work is too fun

I was feeling the abstract expressionist spirit with this one. I started with wet paint on a dry surface. Here I am using one of my Trekell watercolor panels. I really love the Arches paper that is on these surfaces. This is an intuitive painting, meaning I am not working from a photo but rather finding my way into the landscape as I go, seeing the hills and the cliffs emerge as I make marks on the paper. Making decisions as I go means taking a step back, letting thoughts and feelings percolate and also taking chances. I splatter paint when I feel like it, I move the brush in unexpected ways and I leave white spaces.

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20/100

Happy Earth Day!

4x4 pink ink and black and gold on canvas. Watercolor always!

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I paint the landscape because it calls to me. I find its lines, valleys, dips and awesome beauty inspiring and fascinating. Every day I see something new, store it away and save it for a painting. Through my interpretations of nature, almost always without human influence, I convey my own perceptions. I call them real and imagined because they are painted through my personal lens. Just as your life affects how you treat someone, something, do your job, move through life, make decisions and so on... so does my curiosity, past experiences, experiementations, emotional connections affect my painting (which is my job and my passion).

I thank the goddess for each of you, following me and supporting me.

 

12/100: sap green, gold and black *plus white*

I am also working on my artomat series now. Trying to get another set of 50 finished for them. Here is a trio of paintings based on a photo I took on the Avenue of the Giants while in Artcata in late March. 

These little paintings are not for sale, they go off into the Artomat world and I never know where they end up! Click Here to find an artomat near you. 

 

 

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